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Will Bo Burnham Start Performing Again

Written By Friday, March 18, 2022 Add Comment Edit

2021 Netflix comedy special

Bo Burnham: Within
A filming setup and a ceiling fan are located within a small room. In small black letters, the words "A Netflix Original Special" can be seen above the medium-sized name "Bo Burnham", which itself is above a larger, all capitalized, title: "Inside".

Promotional release affiche
Directed by Bo Burnham
Written by Bo Burnham
Produced by Josh Senior
Starring Bo Burnham
Cinematography Bo Burnham
Edited by Bo Burnham
Music by Bo Burnham
Distributed by Netflix

Release dates
  • May thirty, 2021 (2021-05-30) (Netflix)
  • July 22, 2021 (2021-07-22) (United States)

Running time

 87 minutes
Country United States
Language English

Bo Burnham: Inside is a 2021 American special written, directed, filmed, edited, and performed by comedian Bo Burnham.[1] Recorded in the guest house of his Los Angeles home during the COVID-19 pandemic without a crew or audience, it was released on Netflix on May 30, 2021. Featuring a variety of songs and sketches about Burnham's solar day-to-twenty-four hours life indoors, it depicts his deteriorating mental health and explores themes of performativity and his human relationship to the Internet and the audience it helped him reach, also every bit addressing problems including climate change and social movements. More light-hearted segments discuss online activities such every bit calling 1's mother on FaceTime, posting on Instagram, sexting, and video game streaming.

Within follows Burnham's previous special Brand Happy (2016), during which Burnham began to experience panic attacks while performing onstage. It was released on May xxx, 2021, and an anthology of songs from the special, Within (The Songs), was released digitally on June 10, 2021. The special received critical acclaim, with reviewers praising its music, direction, cinematography, and presentation of life in the pandemic.[two] Critics found that the special incorporates a multifariousness of art forms including music, stand up-upwardly comedy $.25, and meta-commentary, describing it equally some combination of comedy, drama, documentary, and theater. For Inside, Burnham received Emmy Awards for Outstanding Music Direction, Outstanding Writing for a Multifariousness Special, and Outstanding Directing for a Diversity Special.

Background [edit]

Bo Burnham is a musical comedian who rose to fame by posting videos on YouTube from 2006 onwards.[three] After these songs were adapted into his debut cocky-titled album (2009),[four] he performed 3 stand up-upward tours, the commencement 2 of which were released every bit albums and the last two as recorded performances: Words Words Words (2010),[5] what. (2013),[half-dozen] and Brand Happy (2016).[7] During the tour for Make Happy, Burnham began to take panic attacks onstage. In the intervening years, he wrote and directed Eighth Course (2018) and starred in Promising Immature Woman (2020).[8]

Synopsis [edit]

Unable to leave his domicile, Burnham performs in a unmarried room. He gives periodic updates well-nigh the time that has passed while he worked on the special, with his hair and beard growing throughout. Subsequently singing "Content" and satirizing white male comedians in "Comedy", he finds the motivation to begin making the special. He performs "FaceTime with My Mom (This night)", a song nearly the frustrations of FaceTiming his mother. He and so sings "How the World Works" to teach children well-nigh nature, but the sock puppet he introduces begins to sing nearly various controversial topics, including historical genocide and worker exploitation, before criticizing Burnham for explaining the problems through his perspective.

In a parody of a product brand consultant, Burnham talks about companies needing to perform moral virtues. He sings "White Woman'southward Instagram" about Instagram tropes. In a stand-up format, he questions the necessity of every individual voicing their opinions. Burnham records a reaction video to "Unpaid Intern", his brief song almost the disposability of unpaid internships, but begins reacting to a multiplying loop of himself recording the reaction video. He and so sings "Bezos I", which sarcastically praises Jeff Bezos.

Burnham sings almost sexting in a vocal of the aforementioned proper name before parodying a typical YouTuber'due south "thank-you" video while holding a pocketknife. He performs "Expect Who's Inside Again" and "Problematic", the latter addressing behavior from his by. He speaks to the viewer a few minutes before his 30th birthday, revealing that he had hoped to finish the special before this appointment; he so sings "xxx", in which he laments his aging. The song ends with him stating that he will commit suicide when he is 40, but he then urges viewers not to kill themselves despite confessing that he would practise so if only temporary. This anti-suicide talk is projected onto his white T-shirt as he rewatches information technology several months later.

After an intermission in which he cleans the photographic camera, Burnham rhetorically asks the audition what they think of the special in "Don't Wanna Know". In a video game streamer parody, he plays a game that consists of himself crying in his room while his streamer self provides commentary. He then sings the ironically upbeat song "Shit" nearly a depressive episode, then describes existence at an "All Fourth dimension Low" in his mental health. In "Welcome to the Internet", he discusses the origins and changing nature of the internet, encouraging the viewer to appoint with diverse types of content, some upbeat and some morbid. After admitting that he does non desire to end the special considering then he will take naught to distract him, he satirizes Bezos again in "Bezos Ii", and then performs "That Funny Feeling", which describes a serial of incongruous images and impending societal collapse. He attempts to talk to the viewer, but gets overwhelmed and strikes some equipment before breaking down in tears.

In "All Eyes On Me", Burnham sings for a pre-recorded track of an audience; he reveals that he stepped abroad from live comedy 5 years prior considering he began suffering severe panic attacks on stage, and that his mental health had improved plenty by January 2020 for him to return earlier "the funniest thing happened". The song instructs the audition to get upwardly and alternately hold their hands up and pray for him. Growing angry with the viewer, he picks upwards the camera and dances with information technology before dropping it on the ground.

After going about normal morning time activities and watching footage of the preceding scene on his laptop, Burnham says he is "done". A flashback shows him with a shorter hairstyle and bristles, and he sings "Goodbye", in which he reflects on his life; the scene cuts dorsum to his longer-haired, disguised cocky during the song, which incorporates several lyrics from previous songs. A montage shows Burnham setting upward the room for each song from the special, before cutting to himself performing naked with a spotlight on him. Afterwards the song, he leaves the room in a white outfit, only to exist locked out as an unseen audition applauds and then laughs at him for attempting to get back within. Back in the room, he watches footage of this on his projector as the audience's laughter gets louder, and begins to grinning before the screen abruptly cuts to black. The terminal song "Whatsoever Day At present" plays over the terminate credits, consisting solely of a stripped-downward tune and the repeated lyrics "it'll end whatsoever day now".

Production [edit]

Inside was filmed in the guest business firm of the Los Angeles home Burnham shared with his long-time girlfriend, filmmaker Lorene Scafaria, earlier they moved to a dissimilar property a few months after the release of the special; the guest firm was too used for filming the end of Make Happy.[ix] A Zillow listing later revealed that the holding is the same one that was used to pic A Nightmare on Elm Street (1984).[ten] Burnham said that due to the COVID-19 pandemic, he worked on the bear witness solitary without a crew or audience.[11] [12]

According to a leak supplied to Bloomberg News in October 2021, Netflix paid $3.9million for Inside, and assigned it an internal "efficiency" value of two.8, against a baseline score of 1 for content that breaks even;[thirteen] the Netflix spokesperson who provided the statistics for Inside and several other programs on the streamer was later on fired for releasing confidential and "commercially sensitive information".[xiv]

Release [edit]

Burnham announced Inside on Apr 28, 2021, along with a pocket-sized trailer that showed a clean-cutting Burnham during the ending of Make Happy, which transitioned into a scene from Inside that featured his long-haired and bearded expect.[11] He also posted on both Twitter and Instagram.[15] [16] On May 21, he appear that Inside was to be released on May 30.[17] The special was released without a press kit or a collection of stills.[18] It was shown in select theaters in the United States betwixt July 22 and July 25, 2021, with sure theaters adding showings after the initial weekend had passed.[19]

Inside (The Songs) [edit]

Inside (The Songs)
Soundtrack album by

Bo Burnham
Released June 10, 2021 (2021-06-ten)
Recorded 2020–2021
Genre
  • Comedy
  • synth-pop
Length 53:28 (original)
57:01 (alternating)
Characterization
  • Imperial
  • Ingrooves
  • Republic
Producer Bo Burnham
Bo Burnham chronology
what.
(2013) 		Inside (The Songs)
(2021)
Singles from Inside (The Songs)
  1. "All Eyes On Me (Vocal Only)"
    Released: July 2, 2021
Professional ratings
Review scores
Source Rating
AllMusic [20]

Equally announced on June 8, 2021, music from Within was released equally Within (The Songs) on June x on music streaming platforms through Republic Records. This is in contrast to Make Happy, which was never released as an album.[21] [22] [23] According to Republic executive Tyler Arnold, he reached out to Burnham a few days later on Within 's release, while watching the special, and the anthology was released a day after the contract was signed. He had been a fan of Burnham'due south for years and said in August 2021 that he had watched Inside around ten times.[23]

"FaceTime with My Mom (Tonight)" was released equally a music video on Netflix's YouTube channel Netflix Is A Joke, on June i.[24] Four music videos were posted on Bo Burnham's YouTube channel: "Welcome to the Internet" on June 4,[25] "White Adult female'southward Instagram" on June ten,[26] "All Eyes On Me" on June 16,[27] and "That Funny Feeling" on November 27.[28] The vocal "How the World Works" and the "Unpaid Intern" vocal and subsequent sketch were uploaded to Netflix Is A Joke on July 23 and July 25, respectively.[29] [30]

In improver to the album reaching many national charts, a number of individual songs from the special charted. "All Eyes On Me" became the kickoff comedy song to enter the Billboard Global 200 charts.[31] An alternate version of "All Eyes On Me", omitting Burnham'due south speech, was released as a single on July 2 equally "All Eyes On Me (Song Merely)";[31] it is besides included as an additional rail on an alternate version of the full album.[32] Arnold said that this was done due to fans online requesting a vocal-only version.[33] On July 20, 2021, the 24-hour interval of billionaire Jeff Bezos' flight to space, and July 21, the songs "Bezos I" and "Bezos 2" were viewed a combined total of i.seven million times, a rise in viewership of 21%.[34] In September 2021, a physical CD and vinyl release of the album was announced for a release in Dec 2021, through Majestic Records and Republic Records. A limited number of CDs were signed.[35] [36] [37]

Track listing [edit]

All tracks are written past Bo Burnham.

Disc 1[38]
No. Title Length
one. "Content" 1:36
ii. "Comedy" 5:19
3. "FaceTime with My Mom (Tonight)" two:20
4. "How the Earth Works" 4:15
5. "White Woman'southward Instagram" 4:00
six. "Unpaid Intern" 0:34
seven. "Bezos I" 0:58
8. "Sexting" 3:21
9. "Look Who's Inside Again" 1:23
x. "Problematic" 3:13
eleven. "30" 2:34
Total length: 29:33
Disc 2[38]
No. Title Length
1. "Don't Wanna Know" 1:03
2. "Shit" 1:18
iii. "All Fourth dimension Low" 0:54
four. "Welcome to the Internet" four:35
5. "Bezos Two" 0:45
6. "That Funny Feeling" 5:01
7. "All Optics On Me" 5:02
eight. "Goodbye" 4:09
9. "Any Solar day Now" 0:57
Total length: 23:44
Alternate version[32]
No. Title Length
10. "All Eyes On Me – Song Only" iii:32
Total length: 27:xvi

Charts [edit]

Weekly charts [edit]

Year-end charts [edit]

Certifications [edit]

Phoebe Bridgers embrace [edit]

Phoebe Bridgers performed a song from the special, "That Funny Feeling", with Burnham as role of an unannounced appearance at Largo at the Coronet on August iv, 2021.[64] Following this, she began performing the song as an encore on her 2021 tour for Punisher.[65] On Oct 1, 2021, Bridgers released a encompass of the song on Bandcamp with all gain going to Texas abortion funds, in response to Texas' anti-abortion legislation.[66] 3 days later, it was released on other streaming services. In its first four days, Billboard measured that it received 540,000 online streams and ten,800 downloads, placing information technology at number ii on its Rock & Alternative Digital Song Sales and Alternative Digital Vocal Sales charts, and number iv on the Digital Song Sales survey.[67]

Analysis [edit]

Bo Burnham

Burnham is the but person to appear in the special

Tone and format [edit]

Though ofttimes described every bit a comedy special, Inside tackles controversial and serious subject affair, with mental health and its deterioration being the nearly prevalent theme.[68] [69] Brian Logan of The Guardian called it a "comedy Gesamtkunstwerk"—a slice of art combining many forms.[70] Tom Ability of TechRadar wrote that it was a "comedy-drama" and its alternation between stand-up cloth, music and "wing-on-the-wall" scenes makes information technology feel like the combination of "a documentary and stage act".[71] Similarly, in Vulture, Kathryn VanArendonk said that it "longs to be a concert" in some places and in others approaches "confessional" or "journalistic" styles.[72] In contrast, NPR reviewer Linda Holmes saw it as "not a documentary but an uncommonly well-written slice of theater".[73] Some parts of the special lack humor, while many jokes are met with silence.[70] Both Holmes and The New Yorker 's Rachel Syme analyzed that, of the express traditional one-act in the special, the punchlines feel out of place: Syme stated that they "experience deliberately hackneyed and out-of-date" and Holmes explained that Burnham felt "information technology makes no sense without an audition to laugh at it".[73] [74] In that location is meta-humor and footage of Burnham editing the special and viewing 1 of his previous videos.[9] [68] Eric Kohn of IndieWire identified "weird tonal shifts and precipitous transitions" between different sections of the special,[75] and VanArendonk described Burnham equally displaying "performance energy across a wide spectrum of affects and moods".[72]

Ability suggested that the setting of a single room is representative of Burnham's mind, explaining that "scattered instruments, clothes and recording equipment signify the cluttered, messy and overwhelming thoughts he has to deal with on a daily basis".[71] On a related note, Jason Zinoman said in The New York Times that the championship has a double meaning, referring to Burnham existence inside a single room, and "as well his head".[76] Karl Quinn of The Sydney Morning Herald wrote that Inside employs the limited setting "as a sail for creativity", but the overall feeling is "claustrophobia and cloying ennui", and even "total-blown depression".[18] Power stated that Burnham "struggles with his solitary confinement" and "gradually loses his grip on reality"; VanArendonk pointed out that Burnham's growing bristles and hair reverberate this trajectory.[71] [72] Writing in The Independent, Isobel Lewis saw that "the more than he opens upwards, the more heightened the artifice" he employs, and concluded that this is a method of coping with despair.[77]

Reviewers drew parallels to various other works. A stand up-upwardly comedy routine past Maria Bamford, "The Special Special Special" (2012), was filmed in her house with her parents every bit the audition, similar to Burnham'south filming constraints of one room and no audition.[75] Staged (2020), a British telly comedy prepare during the COVID-19 pandemic in the UK, stars Michael Sheen and David Tennant as fictionalized versions of themselves attempting to rehearse a stage play solely via video calls during lockdown; The A.V. Club 'due south Allison Shoemaker found that both Inside and Staged presented pandemic life as having a surreal quality.[78] Isobel Lewis of The Independent said that Inside is "largely nearly comedy itself" and explores Burnham'due south "circuitous relationship with his audition", similar to Hannah Gadsby in her stand up-upwards set Nanette (2017).[77] Den of Geek 's Bojalad drew tonal connections to A Heartbreaking Work of Staggering Genius (2000), a Dave Eggers memoir that portrays "the confusing, oft exhilarating human being feel" through Eggers' experience of having to enhance his younger blood brother afterwards their parents died of cancer.[69] The song "Unpaid Intern" and subsequent reaction video is similar to the sketch "Pre-Taped Call-In Show" from the Bob Odenkirk and David Cross sketch show Mr. Show with Bob and David (1995–1998), only Burnham farther uses the recursive format as a manner to portray his insecurities.[9] IndieWire 's Eric Kohn said that similar Burnham'south flick Eighth Class, the focus is on "the dangerous allure of shutting the globe out in an era of on-need distractions"; Lewis stated that it was like some of Burnham's older fabric, such as the music video to "Words, Words, Words" (2010), in the "try put into every rapidly changing shot".[77] Several other publications drew comparisons of Burnham's lyrical content and advent to those of musician Father John Misty.[79] [lxxx] [81]

Themes [edit]

Reconstructed image of Jesus

Some critics saw imagery of Burnham every bit Jesus

NPR'due south Linda Holmes said that at that place are blurred lines betwixt "truth and fiction" in the special.[73] In The Daily Beast, Kevin Fallon asked, "What is operation and what is voyeuristic when the pain nosotros're watching is almost uncomfortably real?" He also suggested that not being able to distinguish may be intentional.[82] Matthew Dessem of Slate saw the chief subject equally "Burnham's relationship to his own work, and that work'south irrelevance in the face of global plummet".[ix] On this topic, Kohn described that Burnham'south "maniacal, passive-ambitious screen presence suggests he'south grown contemptuous nearly creating art in a world that reduces it to pure backer product".[75] Some reviewers noticed recurring imagery of Burnham as Jesus, with long unkempt hair and a growing beard.[70] [75] [83] Bojalad analyzed the special every bit "one entertainer chirapsia his own ego to death"; in dissimilarity, TechRadar 'southward Tom Power said that though Burnham is "leading us through" the "deeply personal" work, "information technology'southward hard not to see yourself in Burnham's place".[69] [71] Holmes stated that it would exist familiar to many people who lived through the pandemic that in that location is a "balance" between "2 impulses": one to "stay in bed... lone", and the other to "create, stay busy, and brand jokes".[73]

Performativity and Burnham's relationship to his audience are primal to the special. This follows on from Brand Happy (2016), in which the closing stage song "Tin can't Handle This (Kanye Bluster)" reflected his clashing human relationship with his audience.[69] After the phase section of Make Happy ends, Burnham performs "Are You Happy?" in the same guest house used in Inside and and then leaves to join his girlfriend Lorene Scafaria and their dog in the garden. Dessem commented that the filming fashion creates "contrast betwixt the austere demands of creative work and the vibrant life going on exterior".[9] Power wrote that Inside is a "continuation" and "extension" of these themes from Make Happy.[71] VanArendonk identified "endless loops of performance and consumption, worrying about performativity and authenticity and productivity".[72] Through the last scene, in which Burnham watches a recording of himself locked outside while withal in the room, Zinoman saw Within as "encouraging skepticism of the performativity" of "realism".[76]

The internet is a major topic in the special, which explicitly depicts media such every bit Instagram grids and Twitch livestreams.[72] Zinoman believed it was the "dominant subject", every bit the pandemic increased the importance of "digital life", and that Burnham demonstrated a "harsh skepticism" towards information technology: according to Zinoman, "the incentives of the web, those that reward outrage, excess and sentiment" are cast equally "the villains".[76] Bojalad contextualized Burnham as having a "fraught relationship with technology and social media" since his career began with a serial of YouTube videos posted before social media "became something far more corporate and sinister".[69] Rebecca Reid of The Daily Telegraph saw Burnham every bit non "demonising" or "evangelising" about the internet, and instead "capturing the silliness, the horrors, the luminescence and the total futility".[84]

Individual songs [edit]

Bojalad and Reid analyzed a verse in "White Woman's Instagram" about the character's emotions over the past expiry of her mother. The majority of the song is "a satirical melody virtually all the shallow and ascendancy-chasing images that pop upwards on basic white women'south Instagram accounts", according to Bojalad. Information technology uses a narrow frame to mimic a cell phone screen—as did the before song "FaceTime With My Mom (Tonight)"—only every bit the character talks about her mother's decease, the frame expands to full size.[69] [76] Reid saw this as a reflection of a young person'southward life on social media: "Vapid, inane rubbish... interspersed with occasional moments of boundary-breaking honesty and observation."[84] Bojalad commented that Instagram can be performative, and equally with Burnham's own performativity, "sometimes existent sneaks itself through".[69]

Gabrielle Sanchez of The A.V. Club reviewed "Problematic". She compared Inside with Burnham's earliest YouTube videos and found many similarities in performance fashion; still, he made "blatantly unfunny, homophobic, and misogynistic jokes" in his early on career. Sanchez said that "Problematic" serves a dual purpose of apologizing for this content and satirizing "the current bicycle of celebrity telephone call-outs and apologies". Burnham initially uses his immature age every bit an excuse, but then apologizes for doing so in the next verse: Sanchez argued that the message is that "the commencement step to being a better person is acknowledging mistakes".[85]

Reception [edit]

Critical response [edit]

On the review aggregator website Rotten Tomatoes, 94% of 49 critics' reviews are positive, with an boilerplate rating of nine.20/10. The website's consensus reads, "A claustrophobic masterclass in comedy and introspection, Inside is a beautifully bleak, hilariously hopeful special from Bo Burnham."[86] On Metacritic, the special has a weighted average score of 98 out of 100 based on ix critics, indicating "universal acclaim".[87] It is ranked the eighth-highest television evidence on Metacritic.[88] Out of v stars, it received five stars from The Guardian, The Times, and The Sydney Forenoon Herald.[18] [seventy] [89] IndieWire gave it an A− rating.[75] Adrian Horton of The Guardian named "All Eyes On Me" one of his favorite songs of 2021.[90]

Variable-message sign reading "STAY HOME, STOP THE SPREAD"

Reviewers praised the special as accurately depicting features of the COVID-19 pandemic.

Critics lauded the special's presentation of the COVID-19 pandemic, which is never mentioned by name.[68] Dominic Maxwell of The Times called it "the first comic masterpiece" from the era and Bojalad thought that it could be "a definitive fleck of Western popular art to come out" from it.[69] [89] Slate 's Matthew Dessem wrote that it was "one of the most sincere artistic responses to the 21st century so far" and Quinn considered that it could exist "the essential certificate" of the period.[ix] Kevin Fallon of The Daily Beast had not enjoyed other media made or set during the pandemic, but institute Inside "the perfect punctuation on the grand quarantine TV experiment".[82] Similarly, The A.V. Club 's Allison Shoemaker described it every bit i of a small number of works that are an "effective and accurately surreal encapsulation" of pandemic life, and Power reviewed it as "culturally relevant and thematically resonant".[71] [78] Lewis identified its surrealism equally what fabricated it fit the cultural consciousness of the pandemic, saying that it left the viewer with a feeling of claustrophobia.[77] Fallon said that other shows about the pandemic were "indulgent, patronizing, or more often than not meaningless", but Inside has "an authenticity to its very intimate, very personal arroyo".[82] Den of Geek 'due south Alec Bojalad further argued that the film has a "timeless quality".[69] Rachel Syme of The New Yorker viewed information technology as portraying specifically the "unmoored, wired, euphoric, listless" experience of being online during the pandemic with "a frenzied and dextrous clarity".[74] Due to Burnham'due south practical constraints, The New York Times 's Jason Zinoman believed it evidences that limitations are the best course of inspiration.[76]

Burnham was critically acclaimed for his filmmaking and acting. Ability saw Within "unique in its approach, content and subjectivity".[71] Vulture 's Kathryn VanArendonk lauded Burnham'south directing, writing and performing and Bojalad described it as the best work of Burnham's career to date.[69] [72] Fallon said that Burnham's "chameleonic abilities" make the special work, while Shoemaker reviewed the filmmaking as "inherently and marvelously theatrical" and the performance every bit vulnerable.[78] [82] Lewis constitute Burnham's comedy and emotions were relatable.[77] Zinoman commented that Burnham predictable potential criticisms of the bear witness as "indulgently overheated" with dialogue such as "Self-awareness does non absolve anyone of anything".[76]

According to Zinoman, Burnham utilized facets of cinematography that are overlooked past other comedians.[76] Power summarized that the angle and telescopic of shots, the editing and scene transitions, and the lighting furnishings combine to evoke "a fever dream".[71] Kohn viewed the special as making "pitch-perfect gallows sense of humor" from its musicality and visuals.[75] Both Kohn and Shoemaker compared Inside favorably to Eighth Form, with Kohn saying that it was "a happy medium betwixt the silly-foreign nature of his stage presence and the advanced storytelling instincts evident from 8th Grade", and Shoemaker opining that it combined "the remarkable filmmaking skill" of the movie with "his usual sharply comedic pop tunes".[75] [78]

Zinoman praised Burnham for showcasing a wider diversity of musical styles than his previous specials, including bebop, synth-pop and show tunes, as well as becoming "as meticulous and artistic with his visual vocabulary every bit his language".[76] Power wrote that the songs move quickly from emotion to emotion, and volition have the viewer "laughing 1 infinitesimal and experiencing an existential crunch the next".[71] Many critics singled out songs for praise. Bojalad found a verse in "White Adult female's Instagram" near the graphic symbol'due south mother dying to be the "near remarkable moment of homo kindness and empathy" of Inside, experiencing it every bit an unexpected scene that had stayed with him since his viewing.[69] Zinoman praised the same song as "visually precise and hilarious".[76] Additionally, Kohn praised "How the World Works" as peculiarly potent, and Holmes praised "Welcome to the Net" as "one of the best executions of" the "wildness" of being online.[73] [75]

Accolades [edit]

Burnham became the first person to win iii Emmys individually (not shared with another person) in a single year afterward winning the Emmy for directing, writing, and music direction.[91]

After being accounted ineligible for the Best One-act Album category, Inside was submitted at the Grammy Awards for the Best Compilation Soundtrack for Visual Media award.[92]

References [edit]

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  2. ^ "Bo Burnham: Inside (2021)". Rotten Tomatoes. Fandango Media. Retrieved Nov 23, 2021.
  3. ^ Wortham, Jenna (June 11, 2008). "YouTube Star Bo Burnham Readies Debut EP, Bo Fo Sho". Wired. Archived from the original on June eleven, 2021. Retrieved June 12, 2021.
  4. ^ Heisler, Steve (April 6, 2009). "Bo Burnham". The A.V. Social club. Archived from the original on June 11, 2021. Retrieved June 12, 2021.
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  6. ^ Zinoman, Jason (December 25, 2013). "Evolving Young Satirist Stands Up to Convention". The New York Times. Archived from the original on September 12, 2019. Retrieved June 12, 2021.
  7. ^ Hugar, John (June three, 2016). "Bo Burnham combines anxiety and applesauce to brilliant outcome on Brand Happy". The A.V. Club. Archived from the original on June 12, 2021. Retrieved June 12, 2021.
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  9. ^ a b c d e f Dessem, Matthew (May 31, 2021). "Inside, Bo Burnham's New Special, Captures Just How Badly 2020 Sucked". Slate. Archived from the original on June x, 2021. Retrieved June ten, 2021.
  10. ^ Webb, Beth (Oct 22, 2021). "'A Nightmare on Elm Street' business firm revealed to be setting for 'Bo Burnham: Inside'". NME. Archived from the original on Oct xxx, 2021. Retrieved October 30, 2021.
  11. ^ a b Clark, Anne Victoria (April 28, 2021). "Bo Burnham Made a New Special Solitary in His Business firm". Vulture. Archived from the original on Apr 28, 2021. Retrieved Apr 29, 2021.
  12. ^ Schimkowitz, Matt. "Bo Burnham has a new socially afar Netflix special coming". The A.V. Social club. Archived from the original on Apr 28, 2021. Retrieved Apr 28, 2021.
  13. ^ Shaw, Lucas (October 13, 2021). "Netflix Staff Raised Concerns About Chappelle Special Before Its Release". Bloomberg News. Archived from the original on October 16, 2021. Retrieved October 14, 2021.
  14. ^ Patten, Dominic (October 15, 2021). "Dave Chappelle 'Closer' Controversy Blast Radius Grows As Netflix Pink Slips Dismayed Staffer Over Leak". Deadline Hollywood. Archived from the original on October fifteen, 2021. Retrieved October xv, 2021.
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  18. ^ a b c Quinn, Karl (June 7, 2021). "Bo Burnham's Within is the COVID-crazy comedy the world needs right now". The Sydney Morning time Herald. Archived from the original on June 9, 2021. Retrieved June x, 2021.
  19. ^ Haring, Bruce (July 15, 2021). "'Bo Burnham: Inside' Extends Theatrical Run Afterwards Emmy Nominations Booty – Update". Deadline Hollywood. Archived from the original on July 16, 2021. Retrieved July 15, 2021.
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External links [edit]

  • Bo Burnham: Within on Netflix Edit this at Wikidata
  • Bo Burnham: Inside at IMDb

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Source: https://en.wikipedia.org/wiki/Bo_Burnham:_Inside

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